Project 8 – The Annotated Image

from the David Byrne Powerpoint presentation E.E.E.I.

With a partner, create a slideshow of around 20 images in which the same, difficult-to-identify image occurs at least 5 times. Your repeating image can be found or created/altered.

The goal is to use choices of sequence and narration to get us to see this image differently each time, to unfold a new dimension of the image, to let us see a different thing in it, to understand it in a new narrative.

Your slideshow should be very scripted, written for a performance. Use text¬† or don’t use text, but either way use your written speech and your slides to construct a consistent identity.

For your slideshow, use Powerpoint, Keynote, Prezi, or any tool of your choice. (Just don’t read from the slides aloud.)

Some ideas for possible approaches:

  • create a fictional identity for yourselves, or a fictional organization/institution to represent, report on. make it hard for us to tell what’s “real.”
  • explore all the crazy cheesy things that Powerpoint can do, then see if you use them without irony.
  • take your project extremely seriously and try to use it to defamiliarize yourself with a familiar image, or to try and discover deep meaning in an everyday, banal object
  • create an elaborate narrative or story for which the images serve as illustrations
  • don’t talk about the images at all, but time your slideshow to create interesting juxtapositions or clashes between word and image

The MOST important aspect of this project is the presentation. Practice, be prepared to perform it with enthusiasm, clarity, and precision. You may choose one of your team to do the talking, or both talk, or have someone else talk.

Due presented in class, Mon Dec 6

Schedule for final weeks of the semester

mon 11/15 – present ideas for Project 7 in small groups. discuss/critique. if time permits, view Christo documentary

wed 11/17 – introduce Project 8 (powerpoint presentation). tech demo of presentation technologies


mon 11/29 – screening

wed 12/01 – work session. (instructor away)

mon 12/06 – Crit for Project 8 / powerpoints

wed 12/08 – Crit for Project 7 / site projects

Project 7 – Worksheet and more

For Monday’s class, please have completed this worksheet, and be prepared to pitch/explain your project in class.

Also, for your reference, here are some of the artists and designers covered yesterday in the slide talk. Google them to learn more, or better, find a book in the library.

Dennis Adams
Shimon Attie
Krzysztof Wodiczko
Billboard Liberation Front
Kay Rosen
Jenny Holzer
Felix Gonzales-Torres
Shep Fairey
Claes Oldenburg
Matt Mullican
Daniel Buren
Alfredo Jaar
Harmen de Hoop
Lawrence Weiner
Gordon Matta-Clark
Diller and Scofidio
Wim Delvoye
Hans Haacke
Group Material
George Legrady
Urban Screens

Today’s Slides, and an optional reading

Will There Be Condominiums in Data Space (1982) by artist Bill Viola. (On memory and media)

Today’s slides as a PDF here.

Project 7 – Public Image Ltd. (Memory)

image from Guardian article

Create a proposal for a large-scale printed project for a specific public space that addresses the theme of memory. Using a medium of your choice – vector/raster graphics, or even physical media – you are to create both the image(s) to be displayed and a realistic mockup for presentation of your proposal. Present your final as a poster that includes your project’s title and at least three different simulated views of of your completed project. Your poster should also include a shot of the site in an unaltered state.

Consider the following parameters:

  • The budget for your project is a maximum of $50,000. If you come out under budget that’s OK, but you should aim to spend at least half of the budget. (Your measurements can be approximate, as long as they are informed.)
  • Full-color prints for your final project cost $5 per square foot.
  • Single color or greyscale prints for your final project cost $2 per square foot.

For reference, a single image covering the side of our art building would measure approximately 200 feet wide by 50 feet tall, or 10,000 square feet.

You may cut your print up into as many pieces as you like, or propose one single image. As such, the project could exist throughout an entire city – one window on every building, for example, or on every bus shelter, billboard – or across a single building’s facade.

You may mount your project anywhere that you might consider public, on any stationary or moving object.

You may work with a partner if you like. The final project will be due printed Dec 6 (though there will be intermediary deadlines before that, as well as another project you’ll be creating for a powerpoint-like presentation.)

Your site of choice doesn’t have to be local or on-campus, but you will need hi-resolution photos from multiple angles of the site, so consider that in your choice of situation.

Stay tuned for a design questionnaire and some additional prompts/ideas in class.

Project 6.1 – The Dispassionate Eye

Marey's 19th century gun-camera

We are surrounded by images and imaging for which there is no discernible author – rather, the image seems to have been automated, pre-determined by some program or script. This project will be an experiment in seeing through such an automated eye.

For class Monday, devise a list of instructions for creating an “un-authored” image. Bring your list printed legibly, and a camera. We’ll spend the first part of class shooting as many images as we can based on people’s instructions, and then view them digitally to discuss where meaning is made in this mode of looking, and how an automated image can leave more or less room for interpretation.

Design your instructions with our computer lab as a starting point, and make them capable of being followed with a simple point and shoot camera. Your instructions can involve detailed technical directives (“Wait exactly 30 seconds before taking the shot”), randomizers (“Close your eyes and shoot”), linguistic instructions (“Walk to the corner of 4th and Peabody”),¬† names (“Aim your camera at Zach’s left foot”).

They can be broad (“Pick a direction and walk a while”) or specific (“Point your camera north at 15 minutes after the hour.”)

Your instructions should include directives about where the photographer should stand, perhaps when (“Wait for the traffic to clear”), but certainly should also direct the composition, the frame. Consider that you are still framing a subject even though you won’t be shooting the picture yourself, and give enough instructions to ensure clarity of purpose.

The actor in your script should have no confusion or questions. Your script should produce something like a reliable result, though also allowing for some variety or even accident.

Your end goal should be to create a script that generates an interesting meaningful image no matter who shoots it. Possibly a particular function might even be implied by your script/algorithm.

(We’ll approach this assignment a second time next week using only the computer, and not the camera.)

Project 5 Infoviz – The Next Step

This is not the homework for Monday 10/11. Read this post for that.

Once you have your data, your job is to design and create, using Illustrator, an economical visualization of your data. For your sample set, it would be ideal for you to represent the results of all three sub-queries. You should definitely show at least two.

The goal is to help us learn something about your data, to tell a story in a way that contains ZERO extraneous information.

You may use any method of visualization you like, as long as you create it in Illustrator. (There’s no trick to using Illustrator for these things, btw – just manually set your dimensions and locations for each object.)

There are few standard modes of visualization that you would do well to start with, even if you decide to depart from them in some way. The hardest part of this project is choosing which mode best suits your data. Some steps follow below to guide you in this process. You might consider browsing the whole gamut of types included on the site for the popular info-viz tool Many Eyes, which is as good a taxonomy as any.

Along these lines, my guess is that you will be best served in this project by either the Scatter Plot or the Matrix Chart, though the Bar, Line, Stack or Treemap might also help you.

Here’s how I could go about the process:

1. You would be wise to create an Excel spreadsheet to start your project. Through sorting by column for each axis of your data, you can learn trends you might want to bring out in the image. Also, you can use the spreadsheet later to set measurements and coordinates for use in Illustrator.

2. Ask of your data: what stories do you want to tell?

– if comparison over a temporal sequence plays a role, then you might want to consider a linear format with a strong X-axis. Scatterplots, Bar and Line charts all might be well suited to showing changes over time.

– if quantity in comparison plays a strong role (even metaphorical quantities, such as “Bad, Very Bad, Worst”) Then you’ll need to get the viewer to feel that change through relative spaces. Treemaps can work well for this, as can most anything with circles.

– Prioritize your stories: If you’re shooting to show all three sets of data, decide which two are most interesting in comparison, and which one might work well as a separate layer. That’s how Scatter Plots can work, for example – the X and Y axis get compared to one another through each dot’s plot on the map, while the size or color of the dot gets read first as its own layer.

– Any given chart can be altered through removing an axis or taking one away.

3. Once you’ve had a look at your data, isolated the stories, do some sketching by hand. Try out some different scenarios. It may even be that you can think of other ways of framing your sub-queries that would produce more useful results.

4. When you’re ready with a design, start an Illustrator file by establishing a scale for yourself (ie, 1 inch = 10x more of something). Then go ahead and determine the exact measurements, color and location for each item in your database before creating it in Illustrator.

Lastly, some examples for inspiration and information: